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Volume 1, Number 1
Volume 1, Number 2 (evolving issue)

Tony Quagliano
BETWEEN A ROCK AND MAHATMA GANDHI
Between a rock and Mahatma Gandhi
which is better?
a rock is a perfectly fine
aggregation
of sub-atomic particles
Mahatma Gandhi alive is a perfectly
fine aggregation
of sub-atomic particles
a rock has rock sentience
Gandhi has Gandhi sentience
it’s not better to be a rock
or to be Gandhi
if nothing matters
we have powerful personal knowledge
that nothing matters
suicide knows nothing matters
war knows and torture
the tools of the torturer know
extinct species know nothing matters
opium knows
metallic concentrates in the brain
stunned by Alzheimer’s know
your house on fire while you are at the movies
the deepest inner thoughts of your great
grandfather’s great great grandfather know
the room he was born in knows
the biochemistry of a cancer cell knows
the questions asked by Torquemada know
ashes scattered at sea
the digestive tract of the insect
feeding on the conqueror worm knows
the library at Alexandria
self-destructive habits know
an empty tube of spermicidal jelly knows
the temperature of the air in a Siberian prison cell knows
a neutron in an oxygen atom in
the ozone layer knows
the volume of Niagara Falls knows
the last centimeter of the distance between
this page and Alpha Centauri knows
nothing matters across all time and space
nothingness
knows nothing matters
nothingness knows most
nothing matters
though a case can be made
made every day
that something matters
though the proofs don’t overwhelm
if something matters
only if something matters
Mahatma Gandhi is better than a rock.
Tony Quagliano (1941-- 2007) edited Kaimana--Literary
Arts Hawai'i. He was published widely in numerous literary
journals.
"Between a Rock and Mahatma Gandhi" first appeared in New York
Quarterly.
Peter Chamberlain
The Reconfigured Ear Series / wak n' stacks

Peter Chamberlain is a professor in the Expanded Arts
Program at the University of Hawai'i at Manoa.
Rob Wilson
TRAVELLING
Travelling out of the body by staying too long in one place,
he entered the room and began travelling. In certain parts of
town, all the villagers held a gun pointed at the head of the
white stranger. Though he used to dwell there long ago, some two
decades ago, they held the guns pointed to his head, just
grinning.
In other neighborhoods, loud laughter was heard as if it were
always Sunday afternoon in summer, and the men did not have to
think about working in the brass mills. He was in the Puerto Rican
part of town, and nobody talked to him, but he wanted to
linger in the tiny bars with small change and much laughter.
In another part of town three and four shopping malls were
going up, but he felt like he had never been there, even when he
was there.
He hid in the cool churches of his childhood, praying. It
seemed to make the day immaculate, like one event might lead to
another, like a friend's unexpected waiting at the airport or a
telephone call from out west summoned by a kindly thought earlier
in the day.
Then the factory whistles were starting to blow, and he
would work in the same shop his whole life, mute and without
travelling, like the men in the town before him. The town was
only in his own head, but he brought it across continents and
oceans, travelling to the same place over and over like the
parched sunset seen ten thousand times from the same dirty
window, without curtains.
Rob Wilson is an English professor at the University of
California at Santa Cruz.
Melvin Derwis

Melvin Derwis (1916--2000) was born in Pittsburgh, Pennsylvania. He lived and
worked in Cleveland, Ohio.
Joseph Stanton
GROUNDHOG DAY
Some days threaten never to end,
but this one just keeps coming back again.
A song by Sonny and Cher,
a DJ's shouted, "It's cold out there!"
and Phil is off once more--
seeking, he realizes, Rita's love.
but finding only despair,
a February second
repeated ad absurdum,
the fairytale hero here
becoming his own
fairy godfather,
giving himself an offer
he must learn how not to refuse,
remaking himself a prince
with scant help from the kiss
that never entirely arrives,
though he seeks it so desperately.
Phil must make a magic moment
out of an odd redundancy of striving
to be better than he is--
though trapped, he knows,
in the not very original sin
of being a jerk at heart.
For all of us, this is
a transformation devoutly to be wished--
a joking way to say we can
eat our world and have it too,
avoiding our idiocy's
diminishing returns.
VERTIGO
A fear drops a plumb line,
Hitchcock's horrific zoom-in and track-back,
to a depth hope cannot rise above.
But a falling can also be
into the madness that is love,
a vortex spinning down a mind,
whose bottom line
might be terrible to consider.
A portrait of Carlotta,
the beautiful Carlotta,
the sad, the mad Carlotta
could be a portal to the past
or a bad dream
of an old house on the corner of Eddy and Gough,
a grave at the Mission Delores with Carlotta's name on it,
a leap into the Bay at Old Fort Point out at the Presidio,
a fatal bell tower at San Juan Bautista,
a hundred miles down the coast.
But that peculiar bunch of flowers,
the twist to the hair, and the simple gray suit
are as real as the beautiful city of San Francisco
and the two cars, one white the other green,
that swing left, then right, then left,
pursuing each other for miles of film,
somehow always downhill,
the way everything must go,
it seems,
when desire overwhelms almost everything,
except for death itself,
viewed from the highest vantage,
vertigo overcome at last,
as Midge's dearest Johnny-O stands above,
finally fearless,
out on the ledge of the world,
with no one left to save,
no one left to love.
Joseph Stanton is widely published as a poet and scholar.
He teaches art history and American studies at the University of Hawai'i
at Manoa.
Kathy Ireland Smith

OK Afterbirth
Kathy Ireland Smith is a writer and artist from Cleveland, Ohio.
She is currently traveling the world and is presently living in Oaxaca,
Mexico.
Brian Fugett
PERISTALSIS IN THE BOWELS OF DOWNTOWN
all up & down
5th street there are
peep shows
coffee shops
liquor stores
& fresh tattoos that glow
on the pale
february bleached flesh
of girls
& all the skinny caramel lattes
are clutched too tight
even though they are hotter than
the august pavement
& everywhere you go
along east 3rd street
the cell phones are screaming
to be released from
all of the pockets
purses
& glove compartment coffins
while a roving pack of mimes
stalk the corner of 4th & main
peddling
thespian nightmares
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